Monday, 12 December 2022

2022: A Year In Albums

There are many things you could say about 2022. One of them, I would argue, is that a lot of great music has been released. I’m not sure how much of what came out this year is a direct result of bands not being able to tour properly during 2020 and for a chunk of 2021. What I do know is that the year has been a good one for good new music. I was going to write (and full disclosure, I did start writing before deleting) about albums that have not been for me this year. I decided to dispense with it though because there is enough negativity out there. I decided to keep this a positive space today. Much like with the end of year list I write about gigs, I’ll start with a few honourable mentions then do a list of albums I’ve very much enjoyed this year. I will say before I even start the list that there were a whole bunch that could take the “coveted” spot as my number 1 album of the year. The order of this list should also be considered as the order at the time of writing. It might still be the same in 3 months' time, but I took another look at my 2021 list (which I didn’t post on my blog) and realised I would change the order of some of those albums. 

In terms of EPs, I listened to a fair few EPs this year, and there were a small number that I thought were head and shoulders above the rest. These were:


6. El Moono - Temple Corrupted



Chronologically, this is the first EP on this little list that I heard this year and straight away I was on board. It hasn’t stayed with me throughout the whole year, but I gave it another listen recently and it served as a reminder why I took to it straight away. A really decent EP that at one point I thought would definitely be in the number one spot. As it happens, it is 6th out of 6, but this list is the EPs that were my favourites of the year. 


5. Speed - Gang Called Speed



13 minutes of gnarly hardcore, what is there not to like about this? Well, probably a fair bit if you don’t like hardcore, but still. This is great. This EP doesn’t fuck about, and I like that about it. 


4. Sugar Horse - Waterloo Teeth


This 4 track EP has a lot of special guests on it. It isn’t something you tend to see in the world of heavy music, so I think it is pretty cool to see Sugar Horse invite a whole bunch of their pals (I assume they are pals) to play on their EP. Sugar Horse had a great album out last year, and this EP is continuing that run of good form. 


3. Irist - Gloria



Irist were one of the first bands announced for Damnation Festival 2022 I think (I could look this up, but laziness prevents me from doing so). It was them being announced for this festival that made me check out their 2020 album, which is very good. That was my go to until not long before the festival I saw that this had been released. It is also very good. 


2. Heriot - Profound Morality



Heriot’s debut EP is abrasive in the best possible way. This was an EP that came with a lot of hype in certain circles and it without doubt delivered. I was supposed to see them open for Zeal & Ardor in November but sadly they had to pull out of that gig. I am looking forward to a time when I’ll get to see some of this material live, now having listened to and very much enjoyed the EP. 


1. Currls - Hello, My Name Is



I only listened to Currls in the first place because of a different band! I went to see Spielbergs earlier this year, who were due to be supported by Congratulations and Weekend Punks. Sadly Weekend Punks had to pull out, so it was just Spielbergs and Congratulations. I really liked Congratulations and saw they were due to play Portsmouth, again with Weekend Punks but this time both were supporting Currls. I thought I’d best give Currls a listen if I was going to buy a ticket to their show and I really liked what I heard. The EP was an extension of this and I was hooked straight away. Seeing it performed live certainly cemented that view. 


Now that the EP’s have been listed - these are my favourite albums of 2022:


Honourable Mentions:


Korn - Requiem. Korn albums tend to be overly long at times. This one clocks in at just under 35 minutes and doesn’t overstay its welcome at all. It is a very tight album and in 2022, there is little more you could ask from Korn I reckon!


Comeback Kid - Heavy Steps. This was the second new release I listened to this year, and the first that I really liked (sorry Billy Talent). Never really listened to much Comeback Kid before this album, but I heard it get a good review on a podcast I listen to, so gave it a chance and am pleased I did. 


PUP - The Unraveling of PUPTheBand. This album is not in my top 20 because they misspelt unravelling. Maybe this spelling is the North American English spelling? Truthfully, that had no bearing on it not being in the top 20. I really enjoyed this album. 


Ghost - Impera. I really like Ghost, and this album has some great songs on it. I don’t love all of it though, and that is why it is an honourable mention. I definitely do want to see them live again though, and regret not having done so earlier this year. 


Jack Francis - Jack Francis. This album came to my notice because Jack was announced to be the support act for Beans On Toast when he comes to Southampton later this year, and Jay said the album was one of his favourites from 2022 (maybe his favourite? I can’t quite remember). Anyway, thought I’d give it a listen and yeah, it is very good. 


The Antichrist Imperium - Volume III: Satan In His Original Glory. I don’t listen to much black metal these days, particularly black metal from a band I’ve never heard of. However, the name of the band and album caught my attention so I gave it a go. I thought it would be top 20 material after the first listen…but then I didn’t go back to it for ages. When I did, I still liked it but not as much as the albums that made the list. 


Cancer Bats - Psychic Jailbreak. This is a perfectly solid Cancer Bats album, one that I have enjoyed whenever I’ve listened to it, or indeed heard any of it live (I’ve seen Cancer Bats live twice this year and both sets had songs from the album as a part of it). 


Gregor Barnett - Don’t Go Throwing Roses In My Grave. There were songs here which I wondered if they could have been full fleshed Menzingers songs. Regardless of that though, this album is more than a bit good. 


Beachheads - Beachheads II. I heard a review of this album which was very positive, and decided to give it a go. I didn’t know what to expect of a power-pop album from members of Kvelertak (who themselves are very much not power-pop!) but it is a really good album. I enjoyed it a lot. 


Machine Head - Of Kingdom and Crown. Very much a return to form from Machine Head after Catharsis for me. I have a recollection of a bunch of these songs released and then being grouped together by Spotify last year - there is no record of this on Spotify now though so I may be mistaken. The singles released for this album are the stand out songs and there are a number here I’d like to hear live. I didn’t really buy into the concept of the album, I just thought it was a good album. 


Slipknot - The End, So Far. I really enjoyed this album, but outside of a few songs (probably the ones that’ll be played live when they tour), I haven’t really gone back to it. I thought for a little while it would have made a better EP - on reflection I think that is harsh as there isn’t that much filler on the album. It is another solid Slipknot album. 


Pixies - Doggerel. This sounds like old school Pixies and I am here for it. I’m going to see them on the Doggerel tour and I would be okay hearing a good chunk of this album live. 


Clutch - Sunrise on Slaughter Beach. For me, this album is about as good if not slightly better than The Book of Bad Decisions, their last album. One thing which might make it better is the fact the album is just over 30 minutes long. I’m a big fan of bands releasing shorter, more punchy records - Clutch have done just this very thing. 


I’ve overdone it with the honourable mentions, haven’t I? Let's leave that there (as I could add more and instead head straight to the top 20. 


20. Avantasia - A Paranormal Evening With The Moonflower Society



Avantasia used to be one of my favourite bands, and I’m still fond of them. I could not get into their last album despite my trying. My first impression of this album was that it was fine and nothing more. Every time I’ve listened to it since, I’ve liked it more. I think it will continue to grow on me, which I’m okay with. I saw them on their last London show on the back of the album I didn’t get into (it was an honourable mention, probably because the set was heavy on that new album and I didn’t care for that). Were a London date to materialise and be heavy from this album? I’d be happier with that, I think. 


19. Helpless - Caged In Gold



Caged in Gold is a disgustingly heavy record and I am here for it! I don’t really have much more to say than that. I just really liked it. Saw them live on their tour for this album and a lovely time was had by all (is lovely a word you can use to describe a gig like this? Yeah, why not!)

18. The Losing Score - Learn To Let This Go



Weezer have released 3 EPs so far this year (you’ll note I haven’t mentioned any of them above…). I mention Weezer as the first time I listened to this album, I thought if Weezer had released it, it would be classed as one of their decent later albums (their two last year were good for different reasons). I really liked this from The Losing Score, and would also very much like to see some of it live. 


17. Rolo Tomassi - Where Myth Becomes Memory



I was very late to the Rolo Tomassi party. Theirs is a name I’ve seen on bills and seen others online talk about (in very positive terms) and thought “I need to listen to them one day”. That one day happened this year because, when their EU tour was binned, they added a date in Southampton. This meant they were bringing Pupil Slicer to the town up the road from me. I wanted to go to the gig but I wouldn’t have gone if I hated Rolo. As it happens, I was left wondering what took me so long to listen to them. The album is an extension of that, because it is ace. It hasn’t stuck with me throughout the year in the same way others have, but I went back to it again recently and still felt it was ace. 

16. KT Tunstall - NUT



I very much like the music of KT Tunstall, and have done for some time. If memory serves, this is a third in a trilogy of albums (KIN, WAX & NUT). This is just over half an hour and is filled with some very good KT Tunstall songs. I don’t have a whole lot to say, I just really enjoyed it. 


15. Jamie Lenman - The Atheist



This I think is the latest entry into the list (well, as I type this, it is). A very recent release by Jamie Lenman, and there is a lot to love about this album. I think it is possible, were I to review this list again and listen to all the albums more this might be higher, as I’ve not listened to it that often and I have immediately taken to it. 


14. Rina Sawayama - Hold The Girl



Rina Sawayama is an artist whose name I knew (I am guessing from being a listener to the Riot Act podcast when that was still a thing) but not one who I had ever listened to until Hold The Girl came out. I am glad this changed as this album is very good. I like how varied it is - there are parts of it that reminded me of Halsey’s album from 2021 ‘If I Can’t Have Love, I Want Power’ - and now I think about, I think a Rina Sawayama album produced by Trent Reznor and Atticus Ross would be outstanding. That is a hypothetical though, focusing on the here and now - Hold The Girl is great. 


13. Drug Church - Hygiene



Hygiene was one of the albums I went back to frequently throughout the year (it being 26 minutes helped with that). I came to this album after looking at the line up for Outbreak Festival, and feeling very sad I couldn’t go (adulting eh, what's it like?!) Anyway, Drug Church were on it and they also announced a UK run around the time which had a date at the Joiners - listening to the album made the gig a must. After seeing a chunk of it live, I like it even more now. 


12. Martha - Please Don’t Take Me Back



I genuinely don’t remember how I discovered this album (racking my brain, I think it was a thread on a music festival forum talking about releases of 2022). I’m glad it did though as I really like it. Hope Gets Harder is my favourite song from the album but there is a lot to like here. The vibes I got from this album were a mix of heartland rock, pop punk and alternative rock - the reference points for me were Menzingers, The Gaslight Anthem (though I confess this is from my memory of them, it's been a while since I’ve listened) and The Cranberries.


11. Dropkick Murphys - This Machine Still Kills Fascists



An acoustic Dropkick Murphys album which features unused lyrics and words taken from Woody Guthrie. From the first listen, I liked this. However, despite liking it I thought it would be one of those that I listened to, thought was cool, and wouldn’t go back to. However I did go back to it and realised it was ace; and then I continued to go back to it. The circumstances around how this album came to be (the lead singer temporarily bowing out of the band to look after his ailing mother) are obviously not great. I believe the expression here though is when life gives you lemons, say “fuck the lemons” and bail. Or make lemonade, one of them. Anyway, this is a very enjoyable album. 

10. Soul Glo - Diaspora Problems



This was one of those albums that I had no idea about until I heard a review of it. The review was glowing, so I had to give the album a listen and find out for myself. I found out quickly and here we are, it is in the top 10. The only disappointing thing that comes from discovering this album is that I was unable to see them on the album tour in London earlier this year. Hopefully there will be another chance - I can imagine Soul Glo at the Joiners for example being incredible.


9. Venom Prison - Erebos


Venom Prison to me is one of those bands that seem to just keep getting better with each main release. This was a release that I was hyped for and it did not let me down. It strikes me as being a very expansive album whilst still retaining what makes them great. There was some discourse before the album came out about this, but if memory serves framed in such a way to suggest people may not like it as much - assuming my memory hasn’t let me down there, I can’t think why this is.


8. Conjurer - Páthos



Mire was an excellent debut album, and then it felt like it was a very long wait for Páthos (though really it was only 4 years). There was an album with Pijn in that time (Curse These Metal Hands in 2019) which was very good but not the same as a full blown follow up to Mire. Páthos was definitely worth the wait. They released It Dwells, Rot and Cracks in the Pyre as singles before the album came out, and they are my favourite songs from the album, but the album as a whole is quality. I think I prefer Mire, but I’ve had longer with it. Páthos is very good, and it isn’t an outrageous suggestion to say it’ll become my favourite Conjurer album over time. 


7. Wet Leg - Wet Leg



One of my former colleagues earlier this year randomly mentioned this band to me, and got me to watch the video to Chaise Longue. The song and the video made me smile and then I didn’t give them much more thought until they started announcing gigs close to me and then seeing out almost immediately. I gave the album a go and really enjoyed it. The more I listen to it, the more I like it. I’ve not yet seen them live, but I have a ticket for Pulp in July 2023 and they are the main support. This is excellent news, if you ask me. 


6. The Callous Daoboys - Celebrity Therapist




I remember hearing a review about The Callous Daoboys previous album and I remember thinking “I like their name!” but I didn’t follow that up by listening to the album. I saw other bands I like continuing to mention them on social media, so when this album came out I decided I had to give it a listen. The first listen blew me away, and it is an album I’ve come back to quite a few times throughout the year. It is absolute chaos in the best possible way. 


5. Bob Vylan - Bob Vylan Presents The Price of Life



Bob Vylan’s ‘We Live Here’ is incredible. This album for me is in the conversation of best Bob Vylan album, which probably gives a clue as to my feelings on it. Following the 2021 tour, Pretty Songs was released, which is absolutely outrageous. For that reason, Pretty Songs is probably my favourite song from the album but there are so many other great songs there - one of those situations where the favourite changes depending on my mood when I listen. I was surprised to hear the swearing be censored (which truthfully there isn’t much anyway) but that was a feeling from the first listen, and it didn’t ruin the album for me at all. 


4. Orville Peck - Bronco


This was a late adjustment as I hadn’t listened to it for a while, and then I listened to it again and that prompted me to rewrite the order of some of this list. This album is excellent. I was surprised at how much I enjoyed it, as I don’t tend to listen to much country music. It was one of those albums I saw someone else online give a lot of love to, so thought I’d give it a go. The first listen, I clearly wasn’t paying attention as when I went back to it, I had significantly more appreciation for it. That has grown each time I’ve listened to it. As above, when I listened to it recently I couldn’t believe this wasn’t in the conversation for the top spots. 


3. Zeal & Ardor - Zeal & Ardor



I really like Zeal & Ardor. I have been on board since the debut came out and they are just getting better and better. This album is proof of that. I didn’t anticipate it being better than Stranger Fruit, but in my view it is. Zeal & Ardor have now, in 5 years, put out 3 albums and an EP, and it is all pretty damn good. I’ve given this album quite a few listens at this point, and each time I find myself having a brief moment where I realise just how good it is. 


2. Frank Turner - FTHC


I’ll be honest, I am surprised this isn’t number one. I’ve made no secret that I love the music of Frank Turner, both recorded and live. The first release from the album, Haven’t Been Doing So Well, didn’t immediately resonate with me and I remember thinking “uhoh!”. It is hard now to imagine why it didn’t, as it is a superb song. And the same is true of the rest of the album - 14 songs and just over 40 minutes long and I don’t want to skip any of it. Is it Frank Turner’s best album? For me, it is in the conversation, even if it may not win that particular honour (and that is only because it is against some stout opposition). That being said, the reason it is in the conversation to be Frank Turner’s best album is because it is really bloody good. 


1. Ithaca - They Fear Us



This album blew me away from the first listen, and every time I have come back to it this year, I’m very quickly reminded how much I love it. The title track was the lead single and I remember hearing it for the first time and just thinking “oh fuck…!” in the best possible way. Is it my favourite song on the album? It could be, but I think every song on the album has been my favourite at one point. This really is a superb album and is my album of 2022 - even if it is absolute shithouse behaviour to have a song called Number Five as track six…! (I jest!)


Monday, 7 November 2022

Some Words On: Damnation Festival 2022

Some words on Damnation Festival, and indeed my first words since I sat in a friend's parents'flat and listened to the main stage of Victorious Festival. I've been to some cool gigs since then and have made notes for the eventual end of year post. A part of that post can now be written in its entirety as this weekend just gone, I've attended my last festival of the year. That festival was Damnation Festival 2022 and it was my first time attending it. This post will be some thoughts on the trip as a whole, the festival itself and the bands I saw. To dispense with a potential cliff hanger from the off, I had a great weekend. 

My trip started with a flight from my local airport to Manchester. This isn't something that would usually be in my wheelhouse, financially (unless the pricing was very unexpected). In fact, when I bought my ticket (right after the first announcement), I was planning on a bus from Portsmouth to Manchester (as a note, Friday was my birthday and I really wasn't jazzed about the idea of spending 7+ hours on a bus on my birthday). The only reason this plan changed to a flight is because I changed jobs, and my leaving present was generous to the point that it covered the cost of the return flight. This was my first flight since March 2019, so it was a bit strange going into the airport. Still, the flight out was pretty quiet, to the point the seat next to me was empty which given I was travelling alone, was nice. When we landed in Manchester, I was off the plane quickly and into the terminal (I think I set an alarm off when doing this, which if so...oops). I had pre-booked a taxi to whisk me off to the hotel before going to the festival pre-show (which as it is a part of this trip, I've decided to include in my thoughts about the festival), and I had assumed it would work almost like it does on TV - someone waiting at the exit with a sign with my name on it, and off we go to the taxi and get on the road. This wasn't the case sadly, and I was waiting around for about 15-20 minutes for the driver, and then a further few minutes because the driver had to pop away before we got on the road. My timings were tight anyway, but this lost time completely ruled out any chance of me getting to the venue to see Pupil Slicer, which is a damn shame as they are excellent. Having conceded defeat on this matter, I went to the hotel, got slightly freshened up and off to the venue. 

The venue was the Bowlers Exhibition Centre (BEC) Arena, a venue in Stretford, Manchester. The area it was in was effectively an industrial estate. Getting there wasn't too bad as there was a tram stop outside my hotel and one about a 5-10 minute walk from the venue. The road leading to the venue had little to no pavement to walk on at times due to neighbouring vehicles and taxis using what was available to park on. Not ideal but not the end of the world. What almost could have been a real dampener was my coming very close to twisting my ankle after getting my ticket checked and walking into the venue proper - I think I saw the curb and assumed my foot would then drop to the floor but instead it hit a shoddily arranged slope. I'm not against places making an effort for accessibility at all - but this was a bit shit. BEC, drop the curbs! The main thing was my ankle was sore but mostly okay. I got into the venue just after Ithaca started, and so this seems like a logical time to talk about the Friday night event. 

Damnation Festival Presents A Night of Salvation (NOS) 2022

As mentioned, I missed Pupil Slicer which I was very sad about. I also missed Mastiff. Truth be told, because I knew I would be missing them I haven't actually listened to them - because of this, I don't know whether to be sad about this or not (I'm guessing I probably should be, I'm assuming they wouldn't have been booked if they were shite). NOS was held exclusively on one of the side stages (the bigger of the two, I believe) and it seemed relatively busy but not completely packed. Because I was in a rush to get in the venue for Ithaca, I didn't stop to check what if any food vans were serving that night, so I didn't have any food. Here is a photo of me having what turned out to be my dinner on Friday night. I am not a smart man. Hazy day I think it was called? Nice drop either way. 


Small note, as per with these kind of posts - the scores I give are for my own enjoyment and are not a comment on how the band performed or owt like that. Case in point, in 2011, I gave System of a Down's Download set a 10. Almost all the comments I've seen about this performance is that SOAD weren't particularly good that night, but I had a lovely time! (I then saw them in 2015 at Wembley Arena and my overwhelming takeaway was "Oh! that's what a good System performance is like"). 

Ithaca - 9. Ithaca were one of the main draws to me buying a ticket and I am pleased to report I thought they were great. I loved They Fear Us (released earlier this year) and the material from that album sounds massive live. An excellent way to kick off the night for me. 



We Lost The Sea (performing Departure Songs in full) - 10. Spoilers, you know how I mentioned earlier I can now write the bit of my end of year blog about festivals? Because I've decided to include these sets in that consideration, this will be number one. We Lost The Sea came to my notice when they were announced for the main show and I saw the festival organiser confirm he had tried to book them to play this album for it. Based on that, I gave it a listen and it is superb. Live? I mean it is somehow even better. It just had that feeling of a special show. The album is close to 70 minutes long and has 5 songs on it. One of the songs is over 23 minutes long and at no point did the album feel like it was dragging. It was the best set of the weekend for me - I didn't predict that beforehand, which somehow makes it cooler that it was. 



Celeste (performing Assassine(s) in full) - 8. This was the band/album I was the least familiar with come the event, which is very much on me. I thought Celeste were very good, and I quite liked their aesthetic, if that is the right word, when it comes to their show (lighting making it hard to see the band at times, but the members each wearing a single red light). Naturally I've chosen a photo below where you can't see this because the one where you could wasn't a good photo. Anyway, Assassine(s) is a cool album, and it was ace to see it live. One thing I noted is that when Celeste finished the album, their set ended. I thought they would have maybe had time to perform another song or two, but no matter! This was a theme of the weekend for some sets, but I'd be lying if I said I ever felt short changed. 



And that was NOS done. As mentioned before, my main regret was not getting there in time for Pupil Slicer's set. All three sets I saw were varying degrees of great to sublime, with one running away with the entire weekend. Lovely stuff. The journey back to the tram stop was fine, though I later came to learn I walked the long way back to the stop. The road outside the festival (mentioned earlier) was swamped (with a capital swamp) with taxis. Apparently they were very much taking advantage of folk financially - I didn't use one and only comment based on hearsay from the festival's Facebook group. Other than walking for longer than I needed to, I got the tram back to the hotel and all was well. 

My pre-Damnation Saturday morning, other than a walk for breakfast, mostly involved lying down. I knew it would be a long day on my feet and decided to take advantage of the fact I didn't need to be on them in the morning. I set off for the festival just after 11 and, after a pretty quick moving queue, got in about 11.45. 

Damnation Festival 2022

Frayle - 6. Frayle kicked off the festival for me, and I thought they were pretty good. Not a whole lot to add really. 


Irist - 9.
First band on the main stage and goodness me, Irist were excellent. I was on the barrier for this set. I really liked their 2020 album and EP earlier this year, so it didn't surprise me that I really liked this set. 


BRUIT  - 4. Technical difficulties appeared to blight the start of this set. They were about 10-15 minutes into their time before they even started, which is a shame. Unfortunately for me this just sucked the momentum out of it for me. I stayed for two songs I think before heading out as it was nearly time for the next band. Technical difficulties must be a bastard for a band. 


Insanity Alert - 9. Party thrash probably isn't for everyone, and I understand that. In small doses though, I unashamedly love it. And I loved this. It was fun, it was silly, it had someone in an inflatable Pikachu costume in the circle pit. The stage patter included comments about, amongst other things, the royal family and cleaning Ikea toilets. Insanity Alert are a lot of fun live. I could imagine one of their shows being absolute carnage in a small club and I am now willing for that to happen (I'm picturing it in the Joiners in Southampton, which would be a hell of a good time). 




So Hideous - 3. Sometimes, band names are very appropriate. The set musically, was fine but I wasn't blown away. The strobe lighting was very abrasive, to the point it was hard to look at the stage at points. These scores are about enjoyment and I didn't overly enjoy this as a result. My advice to anyone seeing them again and have eyes that react the same as mine did to loads of strobes? Sunglasses. 

Full of Hell - 4. I'm not sure what happened here, as I was very much looking forward to seeing Full of Hell. As they started though, I didn't get into it, and that was the case the entire time I was in the room. I didn't stay for the full set because I concluded if I wasn't into it, a better use of my time would be taking that chance to have a sit down and take the weight off my feet for a bit. Full of Hell were not crap, but on this day, I just wasn't that into it. 


We Lost The Sea - 9. Seriously, this band just ran away with the festival this weekend. The second set I didn't enjoy as much as the first but only because the first will be a part of future conversations about best festival sets I've seen. Let it be known, I bloody loved both and this was very good. Truthfully, I'm not as familiar with We Lost The Sea outside of Departure Songs, so I believe this was mostly made up of material from their latest album Triumph & Disaster (not a complaint). Another great set from a great band. I think these shows were their UK debut shows - not sure if they will ever come back but I hope they do! 


Pig Destroyer (performing Prowler In The Yard) - 8. The first of the album shows from the weekend and it was a belter. Pig Destroyer were superb. I wondered, as the album isn't very long, if they might play other material. Alas they did not. Still, cracking set from the band (was I even slightly tempted to type crackling set there...only slightly). 



Green Lung - 9.
Green Lung I think were in the first announcement and I knew I wanted to see them pretty quickly after listening to their latest album. This was tested only when it was announced they would clash with Wolves In The Throne Room, but I decided to stick with Green Lung and I am glad I did. They had a superb set. I won't be able to see Clutch (whom they are supporting) later this year and that makes me sad. Would definitely consider seeing a headline show off the back of this though. 


A food break then followed. The food queues were pretty nuts but the one for the hog roast seemed not too bad, so I joined it. The person in front of me asked for a hog roast and got told it would be about an hours wait for one - heartbreaker! Instead, I went for a kebab. Truthfully, I didn't feel too well on Sunday (or this morning as I type this, for that matter) and I wondered whether this might be the culprit (I had two whole cans of beer on the Saturday, so I know I wasn't hungover). I've not seen any other complaints suggesting this was the case, so who knows. At the time though, it was nice enough. I had hoped for a sit down while eating but alas, the seating area was rammed. 

Misery Index - 8. I had in my mind that I had 10 minutes or so when entering the room to grab the sit down I had hoped to get while eating. Alas, it was not to be as almost immediately after I took my spot, I realised they were due to start. No matter though. This lack of a sit down didn't hamper my enjoyment of Misery Index's set as I thought they were excellent. Shout out to them for stopping a song when it looked like someone got hurt. 


Godflesh (performing Streetcleaner) - 6.
Godflesh were a late addition to the bill after Ministry pulled out and, I think, the only repeat booking from 2021. Godflesh are a band who, before this announcement, I knew the name but not their music. Listened to Streetcleaner a couple of times and thought it was pretty good, so I was looking forward to them. I thought they were pretty good but it took me a while to get into their set. I didn't think the sound for them was particularly good - I've since seen others say the same thing so I'm pleased it wasn't just me, but still a bit of a shame. I enjoyed this, but truthfully it didn't blow me away. 


Pallbearer - NR. I can't, in good conscious, give Pallbearer a rating of any description. I was sat down at the back of the room for their whole set and the people around me, doing the same, were having chats. I couldn't hear much of them, and that was very much on me being sat where I was. I definitely needed the sit down though! 

At The Gates (performing Slaughter Of The Soul) - 9. I headed to the main stage about 5 minutes before At The Gates were due to take to the stage, and pretty much was at the barrier off to the left of the stage - close to the spot I had for Irist but not the exact spot. I wondered whether this would be wise considering how tired I was feeling at this point, but it turned out to be fine - any mosh pit activity wasn't near me and I'm perfectly okay with this! I really enjoyed At The Gates, and seeing them playing this album in full was a lovely time. They played the album, and finished with a song from their first album post-reunion. No complaints from me!



Decapitated - 7.
I knew before going in I wasn't going to hang around for all of Decapitated because I wanted a sit down before Converge. I was in the room for I think half of their set, maybe slightly less. I enjoyed what I heard but truthfully I had checked out by this point. I wanted to hear Converge play Jane Doe and then I wanted to go. 

When I left the room, I sat down on a very sticky floor. Indoor seating at that point would have been nice as I didn't want to sit out in the cold. 


Converge (performing Jane Doe) - 8. I mean, this was superb. Never seen Converge live before and they are an excellent live band. I was super tired as they were playing Jane Doe which no doubt hampered my enjoyment - but I want to take nothing away from the band themselves, they were very good. I definitely want to see them live again, that's for sure. 



And that, as they say, was that. I had an excellent day. It was a very long day, but it was an excellent day. Bowing out when I did meant I had barely a wait for the tram as well, which was a nice bonus. Getting back to the hotel and laying down after all that was one of those great feelings. As mentioned above, I felt unwell on Sunday and that started in the early hours (putting paid to my hopes I would sleep in after such a long day). Ho hum! 

My Sunday, because I wasn't really sure what to do before my flight home, consisted of me walking to the Imperial War Museum, which was good. Then walking around a bit of Old Trafford and going in the Man Utd megastore (I spent precisely 0 pounds). I was tempted to see what the craic was with a museum visit and stadium tour, but I later learned advance bookings start from £25, and walk-ins are charged more. I went as a kid, and this would have been little more than a nostalgia trip. Bit much for that considering I don't follow football anymore. Oh well! After dropping back into the hotel to collect my bag and have a cup of tea there, I went to the airport. Nothing much to report from my journey home other than I was an absolute eejit and put my hand luggage liquids in the clear bag...and then put the clear bag in my bag and let it be checked. Unsurprisingly, it got selected for additional screening. I'm out of practice when it comes to airports! Or I'm a fucking idiot...one of them (the latter...). Slight hold up getting the flight going but still arrived back in Southampton just about the advertised time, so that was cool. 

All of those words to say, my first Damnation Festival is in the booked and I thought it was great, If there is another lineup that takes me fancy, I will definitely want to go back. There were a few issues with the venue which could potentially be resolved for future years going forward (if the festival stays at the BEC of course). I can't compare anything with Leeds as I never went to that venue. 

As for next year, below is a list of bands I'd be interested in seeing be announced:

Zeal & Ardor 
Napalm Death
The Dillinger Escape Plan (if this reunion chat is a thing and isn't just one show)
Botch (see above, but two shows)
Obituary
Destruction
Birds In Row
The Antichrist Imperium
AmenRa
Alpha Male Tea Party
Employed To Serve
The Callous Daoboys
Conjurer
Rolo Tomassi
Frontierer 
Bleed From Within
And So I Watch You From Afar
Palm Reader
Sikth
The Ocean
Helpless
DVNE
Venom Prison
Sugar Horse
Heriot
Delta Sleep

That said, my band of the weekend was We Lost The Sea, and I hadn't heard of them until they were announced so...

The music I was listening to while writing includes:

Pulp - Different Class
Ithaca - They Fear Us
Pig Destroyer - Prowler In The Yard
Irist - Gloria
Zeal & Ardor - Zeal & Ardor
Zeal & Ardor - Wake of a Nation