Wednesday, 8 June 2016

A Decade Of Gigs Part Eight - The Photo Blog

If you have read any of the previous Decade of Gigs posts, you will know that they come with plenty of words - not this time. This blog is basically a selection of photos I've taken over the last decade of gigs. Enjoy!











































































A Decade Of Gigs Part Seven - London (Pt 2)

This post is the seventh and final part in the series of blogs I have been writing about the last decade of gigs I’ve been to. It has been quite a lot of fun going back and reliving some of these gigs. However, to be perfectly honest, I am quite glad to see the series come to an end. If you have read one part of this series, you will know they tend to clock in at about 3000 words a go, with the longest being over 5000 words. It has not been lost on me that this series of blogs has been longer than my dissertation on the US Supreme Court (which you can read by asking me for the only copy in existence if you are so inclined). Anyway, this blog is the part two of gigs that happened during this decade in London. I do love going to London for gigs and would quite happily move there if the opportunity arose. The last blog ended at the end of 2011, so this one will start at the beginning of 2012 – remarkable how that worked out really.

In February 2012, Rammstein bought their Made In Germany world tour to the UK. I had seen them twice before this tour started and I knew what to expect with Rammstein live – well, at least I thought I did. Before this tour came here, the stage layout was online and it showed the main arena stage, a bridge and a smaller stage in the middle of the crowd. When I saw this, I realised I had no idea what to expect. The band entered through the crowd and climbed up onto the stage in the crowd, when a massive bridge dropped from the ceiling of the venue linking the small stage to the main stage, and the band walked across it. I was stood pretty close to the part of the crowd that they walked through and was about 5ft away from Till Lindermann – the man is massive! Anyway, they played most of their set on the main stage which was fantastic. The set, much like the Made In Germany album, was a best of which was great for me. I really enjoyed the gig I saw in Manchester on the Liebe Ist Fur Alle Da tour, but this setlist was significantly better. The best way to report back on what happened next would be to refer back to my review of the gig from the time:

After Haifisch, the band disappeared aside from Richard who somehow got to the little stage (went to two shows on this tour and cannot work out how he got there!) who played a dance song on keyboard, mixing the words Buck Dich into the tune. It was fairly clear which song was coming next. What was not expected was how the rest of the band would join him on the stage. The walkway descended again and attached to chains, 4 of the band members were being walked across the walkway (on all fours like dogs) by the drummer (now in drag) who whipped them as they crossed. About half way across the walkway, Lindermann appeared to mount Flake and was repeatedly whipped for this. When reaching the stage, the band members were unchained and pushed towards the little stage (other than Lindermann who was dragged). When the band was all set up, they launched into Buck Dich. It was a real treat seeing Rammstein perform on such a small stage as a part of this show. The size of this stage was no bigger than smaller club venues, so to witness Rammstein playing without many theatrics and letting the music do the talking was just immense. I say barely any theatrics as something occurred during Buck Dich. Flake at this stage had changed from his full body suit into leather pants with an arse flap. Lindermann bent him over in front of him and spanked him, and then took a fake penis out of his trousers and proceeded to fuck him with it. I think Rammstein are the only band where this can happen during the show and people generally think "sounds about right". I imagine the response would be quite different if such an act occurred during a One Direction gig. Anyway, Flake ran away from being fucked and Lindermann had a look on his face which said "but I was so close" and smacked the fake penis a few times. He then proceeded to reach orgasm, and spray the crowd in the liquid result of this throughout another rendition of the chorus.

Who said cheating got you nowhere? This gig was memorable to say the very least. This gig, and the Birmingham one the next night were the best times I’ve seen Rammstein live – or at the very least joint first with seeing them in Germany at Wacken in 2013 – that was something very special.

The next gig I want to talk about here was a charity gig for Teenage Cancer Trust and it took place at the Royal Albert Hall. This was my first visit to this iconic venue and I have to say, I was very impressed. I can see why it has the reputation that it does. I was there to see Pulp. I had seen Pulp the year before co-headlining Reading and whilst they were good there, the experience of seeing them in this venue was so much better. It was just sublime. If I were to pick one moment as a highlight, towards the end of the set they turned off all the lights in the venue before starting Disco 2000 (I think it was) and the crowd were all given little torches. Almost everyone lit their little torch and it just looked fantastic. This was a special night for a fantastic cause. In April, I was back in London to see Skindred and Therapy at Brixton Academy. This was a different tour because it was done under the Jagermeister Music banner, and as a result, tickets cost £5. Now, on reflection, I wish I had been across town watching Frank Turner headline Wembley Arena but hey, this was still a great night. It was cool being in a packed crowd in Brixton for both of these bands. Both of the bands had an excellent set and for £5, this was a complete bargain. The night opened with The Defiled who were decent and Black Spiders who were brilliant. This was worth the money and then some!

Later on in April, Cancer Bats came to London for a one-day tour. By which I mean they played 6 gigs in London in one day.  It was called the Pentagram tour because the venues on a map with the way the band travelled made it look like a pentagram. They played 6 gigs but I could only make 3 of them. All 6 of thee gigs were in small rooms around the city. The first gig was at The Old Blue Last at 11am. It was a strange experience watching Cancer Bats in a pub at 11am but one I’d be happy to repeat. The second one was at the Notting Hill Arts Club (a place which was really difficult to find actually) and the third one was upstairs at the Garage in Islington. All 3 of these gigs were excellent. They repeated some songs over the three of them but that wasn’t a problem for me. I’ve never seen anything like this replicated since (I’ve seen bands doing 3 or 4 gigs in a day, but never 6). This was a great day, and because I only went to the first 3, I was home nice and early which is a rare treat after watching a gig or 3 in London. I’d like to go to 3 gigs in a day again – that was fun.

The next gig on this list took place in August 2012 and was a band on a reunion tour. Refused were due to play Sonisphere before it got cancelled. They got added to the Download festival line up, where I saw them and they were great. I was somewhat distracted during their set though because I could barely stand up due to the level of pain I was in (Download 2012 was a tough weekend kids). They announced 3 gigs in August and I went to the first London show. I was blown away by how good this gig was. It was significantly better than their Download festival set which is saying something because that was a great set. This gig was just on another level though. It has put me in somewhat of a quandary with seeing Refused live. I haven’t seen them since and I’m not sure if I will – because I know it will not live up to this performance. Later that month, I was at another gig which was very memorable as well, but for different reasons. I went to the Borderline for the first time to see Kvelertak. The Borderline is a cool little basement club but an absolute bugger if you are there by yourself – no phone signal is to be had whatsoever. That was the only negative of this night however. It turned into absolute carnage when Kvelertak came on. The night ended with more members of the band crowd surfing than there were on stage. A great night was had.

I went to London a lot in August 2012. The next time I was supposed to go was to see Less Than Jake at the Barfly in Camden (I would have to wait until the next month to find out how much I don’t like that venue). That was the plan at least until Green Day announced a show at the Shepherds Bush Empire. It seems odd describing a show taking place in a 2000 capacity venue as intimate, but this is a band that can and have sold out stadiums. I had never seen Green Day before this set either so this took priority over Less Than Jake. I don’t regret this decision at all. It was a superb evening. The only downside for me was that Green Day didn’t play Good Riddance (Time Of Your Life) – that would have made it perfect for me. Speaking of the Barfly earlier, I was there in September twice in one evening to watch Ginger Wildheart perform two acoustic shows where the fans voted for the setlist. This meant that while there were some of the more well-known songs from his back catalogue, there were a lot of B sides and other songs which don’t get a live airing very often. As someone who was still a relatively new fan of Ginger – this was a great night getting to hear a wide variety of his back catalogue live. I would love to see him do this again at some point. The next entry in this list involves Ginger again, but this time it was the return show of The Wildhearts. After missing the Birthday Bash in 2011 to watch Manic Street Preachers at the O2 Arena, I was dead set on going to the next one in 2012. When it was announced that instead of a normal Birthday Bash, it would be a Wildhearts show, I was over the moon. The night opened with Ginger and his solo band playing, occasionally joined by special guests. This was a great set by itself. The Wildhearts one was just superb though. The only part of the set I thought was odd was when they did a Cardiacs cover, but that is mostly because I don’t know any Cardiacs stuff. The only reference point I had before this show about The Wildhearts live was their headline show in Portsmouth, but this gig was on another level to that one. It was something very special. I remember thinking if they only played once a year, I’d be fine with that. Then they announced the 20th anniversary of Earth Vs and you can read all about my time watching the band on that tour in part five of this blog series

You will note if you have read every part in this series of blogs that there have been no (or very few – I honestly don’t remember!) mentions of ticket touts. My story of going to gigs thankfully has rarely involved me buying a ticket for a gig from a tout. However, in one instance, I felt as though I had no choice. At Wacken in 2008, I saw Carcass on their reunion tour and I thought they were ace. I really wanted to see them again after this set but their only UK dates were at festivals I couldn’t attend. They then announced a couple of line-up changes and 4 dates at the Underworld in Camden. Tickets cost £5 on the proviso that you bought them in person over the bar at the pub that is above the venue. Not living in London proved to be a problem once again. I came very close to hiking to London just to buy a ticket but I didn’t bother and they sold out. As the gigs got closer, I decided to try and buy one off eBay. Long story boring, I was successful and the £5 gig cost me £40. I don’t regret paying 8x the face value because the chances of seeing Carcass in this size venue again were remote. The gig itself was well worth the money I paid for the ticket. They played a 75-90min set of classic material basically to bed the new guys in the band in – which for me was amazing.

Sticking with small rooms in London, although this next one is a bit further away from Camden – in May of 2013, I was at the Borderline to see Eureka Machines at a headline show. By this time, I had seen them twice supporting The Wildhearts and loved the two albums they had put out at this time. The gig introduced me to The Deadwardians and The Loyalties which was a very good thing as both bands were ace that night. Eureka Machines were the best band of the night though by some way. They only played for about an hour or so, but that didn’t matter. This gig cemented them as one of my favourite bands, and one that I will always try to see when they tour, including buying a ticket for their headline show at the Barfly the day of the gig (I wasn’t going to go because it was at the Barfly but then decided to go in spite of the venue). They are a great live band and I can highly recommend everyone listening to Eureka Machines. Anyway, moving on from what must have looked like an advert there (no money exchanged hands), from a small venue to one of the most iconic venues in London – the Royal Albert Hall. As I discussed earlier in this post, I went there in 2012 to see Pulp. This time I was going there to see Eric Clapton. I’ve been a bit of a fan of Clapton for quite a while (wouldn’t call myself a super fan), and one thing I’d wanted to do was see him at the Royal Albert Hall – I had heard from a number of sources about how good his shows there were. He was doing a 50th anniversary tour in 2013 and did a 10-15 date residency at the RAH, so I was able to grab a ticket for the show. Like I said, I heard from a number of people about how good these shows were – but I must have forgot when I arrived at the venue. It was a very special evening. I saw him at Hyde Park in 2008, and that was very good, but it was not a patch on this show. I’m not sure how to explain it – it was just immense. The setlist contained a lot of my favourite songs (including Tears In Heaven which caused me to well up) and a lot of others I didn’t know but enjoyed all the same. It was everything I hoped it would be and more.

The next entry on this list is certainly not the first intimate gig that I have talked about, although it is probably the biggest band playing an intimate venue on the list. In September 2014 (that was quite a jump), The Holy Shits played the Islington Assembly Hall. The Holy Shits are the Foo Fighters by a different name (no idea why). So, the band that can sell a lot of tickets when they play stadium shows were playing an 800 capacity venue. This was on a short run that saw them playing the Concorde 2 in Brighton (!) and a free gig at the House of Vans in London before they played the closing ceremony of the Invictus Games. This gig was just superb. The setlist featured a handful of rarely played songs but was basically a best of set, which was pretty ace. I got very lucky getting a ticket for this gig – and to be honest I’m not sure I’ll go out of my way to see the band live again. This show was something special and I’m just not sure seeing them again in a normal sized venue for them will be able to top it. Watch this space.

In October 2007, I saw a band called Black Stone Cherry play at the Wedgewood Rooms in Portsmouth. I loved that gig and became a fan of the band. I then went to see them a number of times at different sized venues, which were getting bigger and bigger each time (excluding when they played a one off intimate date at the Concorde 2). I saw them blow Alter Bridge off the stage in Manchester in an arena during this time, all but confirming it wouldn’t be long before they were the headlining band in rooms this big. Earlier in 2014, they did a short UK run which was billed as an intimate tour. The London date on this tour was at the Koko, which holds 1400 odd people I think (that gig was ace) and it sold out almost immediately. A few days after this London show, they announced their first arena headline show, including a date at Wembley Arena. For me, I had to go. I really like this band and it was so cool for me to see them headlining Wembley Arena considering the venue in which I first saw them in. They didn’t sell out Wembley I don’t think, but they got at least 20x the amount of people in there than you can fit in the Wedgewood Rooms, and that is pretty cool. The gig itself was pretty ace and as a result, whenever BSC tour over here, it will be in arenas. They deserve it – they have been releasing damn fine albums for fun in recent years. Still, I wish they would add Stay back into their live sets – I love that song (god damn you Florida Georgia Line!) The next month, in the Forum, I saw Epica. I first heard Epica when I won a gift prize from Wacken and an Epica single was thrown in as well (because why not). I remember listening to it and thinking “I like this band!” and barely listening to them again after that. That was until they released The Quantum Enigma which I think was one of my favourite albums released in 2014. This album being as good as it is inspired me to go back through their discography and listen again and I loved what I heard, which meant when they played London – it was a must. The gig was being billed in some areas as a co-headliner with Dragonforce, which was odd as they had just toured a bunch of pubs in the UK. Dragonforce weren’t that bad that night, better than I expected them to be. Epica though stole the show and completely justified standing through Dragonforce. If I’m honest, I think they were better in 2015 in London, but this was the first time I saw them which is why it is on the list. I’m currently debating whether I should go and see them next year when they come back to London (Shepherds Bush Empire this time around). I will probably go.

I never got to see Queen when Freddie Mercury was alive – I was born too late. When they started doing shows with Paul Rodgers, I found myself very interested but I never pulled my finger out and before long, that partnership was over. Queen were announced to headline the doomed Sonisphere 2012 with Adam Lambert, from American Idol, on vocals. I honestly don’t know if this would have been their first UK show with Adam Lambert or not, but it would have been one of their first. The festival was cancelled and they replaced the date with a few shows at the Hammersmith Apollo. I didn’t go to that because I probably had my head up my arse about Adam Lambert being a talent show singer. Anyway, they announced an arena tour for the beginning of 2015 and I debated long and hard about going before deciding “fuck it” and buying a ticket. It was a good call as the show was really good. The atmosphere in the O2 Arena was pretty epic actually – for the bigger songs on the setlist, the crowd were singing along with every word. Credit where credit is due – Adam Lambert is a bloody good singer and did not look out of place being the front man of Queen. It was a great night. Later that month, I was at another arena in London, Wembley Arena to be exact, to see Slipknot. Slipknot supported by Korn – what a belting tour (if you ignore the fact King 810 opened). It seems that is what a lot of people did and the queue to get in was massive while Korn were due to come on stage, which was a bit shit. I managed to get in to catch the end of their set which was cool (I cannot believe I still haven’t seen Korn do a full set – festival or otherwise). Slipknot coming out on stage to play The Beastie Boy’s Sabotage was one hell of a moment. Slipknot had an outstanding set. They are good headlining festivals but indoors they are a different animal (even if the devil that formed the centrepiece of their stage show…I think it was a devil, looked a bit shit). The setlist was heavy on song from their then new album, which is no bad thing as it is a really good album. Also, Custer is an absolute beast live. That will hopefully remain in Slipknot setlists for years to come.

I was back at Wembley Arena in April of 2015 to attend the Wake Up The Souls tour – which was basically an evening with System of a Down. This tour was being used by System of a Down to promote the facts surrounding the Armenian genocide, also known as the Armenian Holocaust. The set was broken up into 3 parts, in the short breaks between songs they played videos telling the story of the genocide and how it has still not been formally recognised as a genocide by many of the Western nations – which to me is shocking. I first heard of this event in 2004 when I met an Armenian family on holiday in the Dominican Republic who told us about it. Anyway, not in any way to dismiss what happened during that event but this blog is to talk about my live music experiences. To read more about the genocide – click here. The gig itself was fantastic. I loved the System of a Down headline set at Download 2011 – I was most definitely in a minority of people who loved it based on reviews from after that festival. I think I loved it though because it was the first time I was seeing System of a Down live and unless it really stunk, I was always going to love it. I maintain it was good. This however was about 29x better than the Download headline set. They played 35 songs in an over 2 hour set and aside from a slight issue with the sound at the beginning, they were superb from start to finish. That setlist was pretty much the dream System of a Down setlist for me. This was my favourite gig of 2015 and thinking about it now for the first time, probably the best gig I’ve ever been to at Wembley Arena. That could be another fun blog – rating gigs at different venues.

It is time for the final two entries for this blog and indeed the series of blogs. The penultimate entry is a band that has appeared over these blogs a few times and that is The Wildhearts. Last year they celebrated the anniversary of their album PHUQ by playing it in full, and then following it up with a “best of the rest” set, similar to the Earth Vs anniversary tour – except the crowd were not picking the songs. First things first, this gig reminded me how much I love PHUQ – what a great album that is. Since this show, whenever I listen to certain tracks from this album, I’m thinking of this gig straight away. The run through of PHUQ was just brilliant. The second half of the set was just as good though. Getting to hear the long outro to Anthem leading into Suckerpunch was pretty cool. The highlight of the second half for me was Anthem though – probably my favourite song from Endless Nameless – I had resigned myself to the fact I would likely never hear it live and now I have. I left the venue after they played 29x The Pain but was stood outside and able to hear them close the night on The Duck Song – The Wildhearts are still an immense live act and one that whenever they tour, I will always try to go. In December of 2015, I was in London to see Nightwish. I went into this with mixed feelings. In 2013, I had seen Nightwish with Floor Jansen be one of the best bands I have ever seen at any Wacken (not sure they were better than Rammstein that weekend, but they were close and that is quite a compliment) so I knew it would likely be good. However, I couldn’t shake the fact that last time I saw Nightwish in London – it was a let-down. This gig was far from a let-down and it made my top 10 list of gigs of 2015. They appear to have stopped playing two of my favourite songs from the Tarja days, which is a bit of a bummer, but during the gig, they weren’t missed. Throwing in the 10+minute Poet and the Pendulum was quite a surprise. The new material from Endless Forms Most Beautiful all fit perfectly in the setlist (although no love for the title track? That surprised me). Overall it was just a great gig. I missed the special guest appearance by Richard Dawkins at the end which was a shame – but not something I lost sleep over.

And that is that! The series is over. Well, nearly over. There are no more essay length blogs to read, but there will be a photo blog posted not long after this one goes up with a selection of photos from gigs and festivals from the decade of gigs (although none from the first two years as my cameras back then were a bit shit). This has been fun – here is to the next 10 years!

Tuesday, 31 May 2016

A Decade Of Gigs Part Six - Portsmouth

This blog is the sixth part in a series of blogs I have been writing about the fact that I’ve now been going to gigs for 10 years. The years I have been covering are 2006-2015 and I’ve covered all sorts of areas so far. The first one of these blogs was about a venue in my home town, Portsmouth, called the Wedgewood Rooms. For this one, I go back home and cover a selection of gigs from this decade from other venues in Portsmouth. Whilst I had been to other concerts before 2006, these were with parents and for the purposes of these blogs, I have disregarded them. For those wondering why, there are two reasons for this. The first one is probably the most important – I don’t remember all of the details about who I saw. I remember seeing Edwin Starr at the International Festival of the Sea (and once at the Heineken Festival when I was a very young lad at which I fell to sleep against my dad’s leg). I remember going to a gig at the Guildhall where a number of older acts performed. I know Shalamar played that night, as well as The Real Thing. I know it was a four band bill but I don’t remember one band, and I know I fell to sleep during Rose Royce (which is slightly annoying as it would have been good to have remembered seeing them). The second reason is that these gigs are all ones I attended because I wanted to. I chose to go to all of the gigs covered in this series of blogs. Anyway, without further hesitation – lets go back to the very beginning.

The first gig I went to was Fear Factory at the Pyramids in April of 2006. This was at a time when Fear Factory did not have their original line up on the stage but it was still a great gig. Well, from what I remember it was great. At this time, there was a bar underneath the venue called The Frog On The Front, and I joined some friends in rounds of beer and tequila – so my memories of the night are a bit hazy. I remember running into the mosh pit when they played Linchpin and again when they started to cover Pantera’s Walk. I remember it being a good night and the one which started my love of going to see bands live. When reflecting on this time, it does make me wonder why I didn’t go to more gigs, and why the second time I would see bands live of my own choosing, according to my records, was Download 2006. Quite a jump to go from a gig in my home town to going to a pretty big festival. Still, it was a fun time. The next gig on this list took place at the Guildhall and was the first time I left a gig with my ears ringing for some time afterwards - Motorhead. The main support band for Motorhead was Clutch – a band I now rather like, but at the time I thought very little of. Motorhead themselves were a very loud wall of noise. I remember really liking the fact they took a break from assaulting the crowd with this wall of noise to play Whorehouse Blues – a song I was really into at the time. Of course it was great as well to hear them play the classic songs like Ace of Spades, Killed by Death and Overkill for the first time. It was my first time seeing them and thankfully not my last.

If I could go back in time and give myself a slap and tell myself to leave the bar earlier to go and see all of the support bands, I would for the next gig. Trivium rolled into town, touring their album The Crusade. The main support was Annihilator who were superb. However, due to my desire to get a nice buzz for the gig, I missed Sanctity but more annoyingly, I missed Gojira. I do hope they come back to Portsmouth again soon. Anyway, Trivium were utterly superb that night. At the time, I think this was probably the best gig I had been in Portsmouth just due to how good they were. I’m going to jump forward almost a year and talk about a very different gig. I had been to the Pyramids a couple of times by this point but never had I been to a gig as hot as the Reel Big Fish gig was that night in February 2008. It was a really fun night but it was seriously hot. On reflection, this was probably the first gig I’d been to where I’d danced most of the time the headline band was on. They are a lot of fun live and the gig of theirs at the Wedgewood Rooms was just fantastic. I know I already talked about it, but it really was.

Later that year, I went to the one and only proper gig I went to at South Parade Pier. When I say that, I mean no disrespect to the bands I saw live at Chaos Live! It’s just I don’t remember most of the bands I saw there. I remember Little London having an ace set, but that’s about it. Anyway, the gig I’m going to talk about here was Hayseed Dixie. I’d seen them a few times at this point and every time, the venues were busy and it was a great atmosphere. This was…different. I can only assume the promotion of this gig was substandard because the room could hold over 1000 people and about 300 turned up at most. There was another gig at the Wedgewood Rooms that night which is the only reason I guess for why this wasn’t moved. Anyway, the opening act was a local act called Shep Woolley. He got heckled a bit from what I remember and the whole crowd remained either on the seats at the back or at the bar. It was a tad awkward. Hayseed themselves were great and thankfully, everyone moved towards them when they played. I just went to try and find more information out about this gig, see if I could find a review or something. I couldn’t find anything, but did notice on google they suggested an old blog post of mine where I mentioned in 2011 how it was nearly empty. Ach. They didn’t come back to Portsmouth until last year when they were one of the best acts (in my opinion at least) at Victorious Festival. Later on that year, I went back to the Pyramids for the one and only time I’ve seen Rancid live. I bought a ticket for this gig on the grounds I liked the song Time Bomb and knew nothing else. When I walked in, I was a bit unimpressed with the band on stage and turned to a mate and said “if this is Rancid, I have made a terrible mistake and will probably go back to the pub” – at which point they finished and left the stage. It was not Rancid, so I stayed. That was a good decision as they were excellent. I remember being impressed with how quickly they played through some of their songs – I went to the bar to buy a beer and in the time it took me to walk to the bar, buy a beer and walk back to where I was standing – they had played 4 songs. It was a great gig though and I really want to see them live again. I almost dropped everything to go see them in Belgium earlier this year as they played their album …And Out Come The Wolves in full. I couldn’t get the money together and therefore missed it. I would love it if they would do a full tour for that album, but even if they don’t and they just tour, I would be happy.

One of the gigs I talked about in the Wedgewood Rooms blog was about a band called Black Stone Cherry. Two years after the Wedge gig, they played the Pyramids. They had originally booked the Guildhall but it got downgraded to the Pyramids. I didn’t think too much (and still don’t, honestly) of their second album, which this tour was in support of. However, this gig was great. It was the first time I saw them play Things My Father Said live, and now that song makes me well up – pretty much every time I hear it. Live, it has become a whole crowd sing along song which I like, but it was cool hearing it performed by just the singer at this gig. In March 2010, I went back to the Pyramids to watch Trivium. I had been unsure if I was going to go to this because I wasn’t as much of a fan as I was when I saw them in 2007. Since then, I had also seen them put in a lacklustre performance in Brixton supporting Machine Head. I was sold on the fact they were supported by a band called Chimaira – a band I had wanted to see again live since I had caught their set at Download 2007. They had a great set and really set a high bar for Trivium. I remember thinking that there was no way Trivium would better the Chimaira set – and then they did. It was another great live performance by Trivium in Portsmouth. One thing that amused me recently is that Trivium toured the UK recently and they said it was a tour of places they hardly ever played – and one of the dates was in Portsmouth. I thought that was odd because I had seen them twice before in Portsmouth and they also played the Wedgewood Rooms twice in 2005. There were some other dates on this tour in places they would hardly ever play, but Portsmouth was not one of them.

 In the span of 3 days, I went to two very different gigs in Portsmouth. The first one, as I now know, was the last time I would see Motorhead in Portsmouth. In all honesty, what sold me a ticket for this tour was the fact that Anthrax were supporting them. I had seen Anthrax as well a few times but never in a gig venue – only at festivals. The both of them together made for an excellent gig. Motorhead were better at the Southampton Guildhall a few years earlier, but this was still very good. I am sad to say that this was the last time I saw Motorhead be good. The times after that it was obvious Lemmy was suffering and sadly, he passed at the end of last year. It feels weird to say that I will never see Motorhead live again. Two nights later, I was at the Pyramids to see Billy Talent. I had seen them before but I had been towards the back of the crowd and not overly involved. For their Pyramids gig, I was about 2 or 3 rows from the front and it was quite lively down their when Billy Talent came on. It was a lot of fun and they are an excellent live band.

The next part of this blog will focus on two consecutive nights in February 2014, both nights I was at the Guildhall. The first time I was there was because the Pyramids had been damaged in a storm and the gig, which was sold out anyway, was moved to the Guildhall. It was a co-headline tour with Less Than Jake and Reel Big Fish with Zebrahead supporting. Zebrahead were a really good opener, so much so that I bought a ticket to see them at a headline show in Portsmouth later that year. Reel Big Fish stole the show for me (I quite like them live – can you tell?) Their set was fantastic and they didn’t look out of place on the bigger Guildhall stage. Everything about their set was great. The live performance was great and the band, between songs, were very entertaining. Less Than Jake closed the night. It appeared a number of people left after Reel Big Fish as I was able to get closer to the front for Less Than Jake. I’m not sure if they had an off night or whether I was just tired after Reel Big Fish (I suspect the latter) but I remember that I enjoyed Less Than Jake – but not as much as I thought I would. The next night was Frank Turner and The Sleeping Souls. I hadn’t seen Frank Turner with his band since their sets at Reading in 2011 and between those sets and this gig, I had become quite a fan of his music, especially the album that was being toured on this run – Tape Deck Heart. Before talking about Frank’s set though, I want to give mention to the main support. I had really wanted to see Flogging Molly live ever since I first heard the song “Drunken Lullabies”. They did not disappoint in the slightest. I remember leaving the venue after they played for a cigarette and saying to a mate that if for whatever reason, Frank’s set got cancelled, Flogging Molly’s set would have sent me home happy. On reflection, it wouldn’t have, but it was still fantastic. Frank Turner and his band had been set a high bar, which they proceeded to smash through and then some. Their set was fantastic – so much so that I’m pretty sure this was my favourite gig in 2014 and in all honesty, one of my favourite gigs of all time (astonishingly, his Southampton gigs in 2015 were better). The only negative I have from this gig is not being able to remember them playing Love, Ire and Song. I really wanted to hear it in November last year and when researching when it was most recently played in the UK, I noticed one of the last times was at this gig. Awkward. Anyway, this was one of the best gigs I’ve ever been to.

The next entry on this list is here more because of the story rather than the performance by the band. The gig was in November 2014, it was at the Guildhall and the band was A Day To Remember. The support bored me if I’m honest - so much so that I created a solo music project called The Paperboys and started creating song titles and song themes – I later found out that there already was a band called The Paperboys and that, combined with my inability to play an instrument, killed that project off. Anyway, A Day To Remember started off very strong. This gig was shaping up to be in my top 5 gigs of the year without question. I remember seeing someone walk in front of me dressed as Sonic the Hedgehog, which made me smile as the band have a song called “You Be Tails, I’ll Be Sonic”. Not long after that person walked passed, I suddenly saw a lot of people turn their heads towards the middle of the crowd. Thinking this was due to the guy in costume, I thought nothing of it until the guys in the band started looking concerned. They finished their song “The Document Speaks For Itself” and they went off stage. I think the singer made some sort of announcement before going off but it was very unclear what had happened. Turns out someone had jumped off the venue’s balcony and landed on the wooden floor of the standing area. Everyone was evacuated and the gig was cancelled. At the time I was a bit gutted about the gig ending early but obviously the welfare of this person was more important than any gig. When it became clear several days later that he wasn’t pushed or thrown, and had jumped of his own free will, I lost my concern for him. It was a shit ending to what had been an ace gig up until that point. I would like it if ADTR came back to Portsmouth but I somehow doubt that will happen.

A week later, I was at the Pyramids to see Volbeat. Now, I’ve probably mentioned it before over these blogs but I bloody love Volbeat. They were supposed to play The Wedgewood Rooms several years earlier but the gig got cancelled. Volbeat took Hatebreed out on tour with them which made the gig even better. Hatebreed had a really good set and after missing their Wedgewood Rooms headline show the year before due to illness, I was glad to see them again. Volbeat had an outstanding set. This wasn’t much of a surprise as this was the 3rd time I’d been to one of their headline shows in the UK and had seen them headline Wacken. What was a surprise however was that they bought Barney from Napalm Death on stage to perform “Evelyn” – I’ve now seen them do this 3 times and every time it is superb. I still have no idea how this band are not bigger in the UK. One day perhaps. I notice they have not announced any UK dates for this summer – maybe something will be announced soon? Hope so. Not long after this gig, I was back at the Guildhall to see Machine Head. I wasn’t fussed about the support so went to a pub before the gig. I stayed their slightly too long and got in as Machine Head were playing their first song. I’ve never seen Machine Head have an off day and this gig was no exception to that rule. It was really busy downstairs but a photo I saw of the venue showed how quiet it was upstairs – which either means a lot of people snuck into the standing area or a lot of seating tickets remained unsold. I’d like to think it was the first one, despite it being remarkably unsafe if a lot of people pile in downstairs at any venue. Regardless, I was surprised. Machine Head were excellent, as per usual.

The final two gigs I want to talk about cover a band not long into their career (as far as I know anyway) and a band who have been about a fair while. In 2014, a band called Royal Blood became very popular. I really liked their debut album so when they announced they were playing Portsmouth, I wanted to go. I had no idea just how popular they were when this gig went on sale. I’m pretty confident in saying this was their first UK tour, and they sold out the whole thing in about 20 minutes. I was successful in getting a ticket. Not long after this, they then announced another UK tour, which had another Portsmouth date in it. This second tour would take place 3 months after their first. The Portsmouth and I think Bristol dates from the first leg of their tour got postponed due to illness, and rearranged for January. This meant in 3 months, they would do two Portsmouth headline shows. They were both sold out so no problem for them – you don’t tend to see that very often though. Anyway, this was a pretty short gig because they only had the one album. They had Turbowolf supporting them, which was ace as they are a great band. Royal Blood live is interesting. I saw some reviews of their Portsmouth show calling them boring because of how good they are live (in that, them live could well have just been the album turned up quite loud). I was really impressed with how good they were. The final gig for this entry took place towards the end of 2015. At Download 2015, I saw Judas Priest have a very enjoyable set, and as they were closing their set, Rob Halford turned to the crowd and said “who is going to come and see us live later in the year?” which got a big cheer. I turned to the mate I was at the festival with and said “I will…if you play Portsmouth!” which was my way of saying no, because there was no way Judas Priest would play in Portsmouth – and then they did. I missed the support because beer is cheaper in Wetherspoons than in the Guildhall (this seems to be a common theme for me) which was a shame as I wouldn’t have minded seeing Michael Schenker’s band. Oh well, no matter. Judas Priest were really good that night. I had been to better Judas Priest shows, but it wasn’t as if this performance was poor – far from it. Even on reflection, I still find it hard to believe that Judas Priest played the Guildhall in Portsmouth. I would have assumed before this tour was announced that they would play bigger rooms.

And that wraps up part 6 of this series of blogs. In terms of what is to come, I have the second part of the London blog to write – and then I intend to post a photo blog of some of the live music photos I’ve taken over the years. After that, it will be done! Until next time

Sunday, 8 May 2016

A Decade Of Gigs Part Five - Here, There and Everywhere

This, like the title of the blog suggests, is part 5 in the series of blogs I have been writing about the last decade of gigs I’ve been to. I’ve taken a short break from writing about it recently because, as you will know if you have read any of the previous parts, they are quite long. The last post was published on the 14th April and a week after this, the news came out that Prince had died. Prince was a musician that I really wanted to see live but hadn’t. This will be a regret of mine, especially as recently there were a few chances to see him live. It, unfortunately, meant dropping everything to go which I just couldn’t do. He will be missed. RIP Prince. This is the 5th part of this series and the links to the other parts are on the right hand side of this page but will also be at the bottom of this blog. This part is about gigs that I’ve been to that are outside of Portsmouth, but not in London (apart from one which will become clear why it is in this post when it comes to it). The London gigs will have two separate blogs dedicated to them when this is all said and done. I start off this post like several others in the series, in the second year of the decade of live music I am covering, 2007.

As 2007 started, I was still relatively new to the world of going to gigs and if memory serves, I had only been to gigs that were in Portsmouth or London. This changed in June of 2007 as I went to a gig in Southampton (a gig at The Nexus, that was a decent venue from what I remember). In the second half of 2007 however, I went to a gig in Brighton. I would love to go to Brighton for gigs more often as they have a decent arena and the Concorde 2 is an excellent venue. I’ve only been there twice (the second of these gigs will be discussed later) which to me seems a real shame. Going to a gig in Brighton either relies on a friend going who drives or booking a hotel. Hotels are quite pricey in Brighton for the most part so generally, I tend to not go to Brighton gigs. The first gig I went to in Brighton was at the Concorde 2 and it was to see Hayseed Dixie. I saw them at Download 2007 and it is still one of the best non-headliner festival sets I have watched – it was that much fun (it transpired they were my headliner that day but that is a long story). This gig was basically like that, just longer! This was a really fun night. The support band were a band called Neck if memory serves, and they were also good. All in, it was well worth the journey. The next two gigs on this list are also in Brighton, and they both took place at the Brighton Centre.

In November 2007, Heaven and Hell toured. When this was first announced, I had no idea who they were and I remember being amazed that their tour was in arenas. After a bit of research, it turned out this band were basically Black Sabbath when Ronnie James Dio was the front man – but they couldn’t tour under the name Black Sabbath for legal reasons. My knowledge of Black Sabbath was pretty low at the time and I didn’t know anything about the era when Dio was the singer. After listening to the albums he sang on, I bought a ticket almost as soon as I could. I got lucky in that I was visiting my brother in Eastbourne that day so I was relatively close to Brighton, so getting to the gig wouldn’t be that troublesome (or so I thought). It turned out there was a cancelled train which meant I got into Brighton an hour later than planned and completely missed Iced Earth (who opened the gig) and about half of Lamb of God. It does bother me somewhat that this is the only time I got to see Dio perform live. Heaven and Hell’s set was fantastic. I had a ticket at one point for Wacken 2009 and didn’t go as I wasn’t ready to go to a festival by myself at that point, certainly not abroad. Their set from that night was released on DVD and from all accounts, was amazing. I could have seen Dio perform with his solo band in London in 2008, which I missed as well. I regret not seeing him perform more as well. Not quite the same regret as I mentioned with Prince earlier, but still. My only entry from 2008 that I want to bring to the table is the Mark Knopfler gig at the Brighton Centre. At this stage in time, I doubt I will get the chance to see Dire Straits perform as a band, but getting to see Mark Knopfler was pretty cool. It was mostly his solo material he performed at this show but did a handful of Dire Straits songs, so I was happy.

For the next part of this blog, I not only change years but also cities. The three gigs discussed so far have all been in Brighton. The only 2009 gig I want to discuss took place in Manchester at the MEN Arena (a venue that despite it changing names several times, I still refer to as the MEN). I already discussed this tour in the first part of the London blog so I won’t go into too much detail here, but there were 3 dates on the Nine Inch Nails Wave Goodbye UK tour, and the Manchester date was the first of them. This was my first visit to Manchester and due to the way presale tickets were sold, I had to find a will call table. This meant walking around the arena (and the nearby train station) several times until I eventually found it. One of the benefits of the presale meant priority access, so ticket holders could get right down the front for the whole gig. This sounds like good news but I didn’t factor in the opening band being Mew, who were not good. The main support was Jane’s Addiction who I thought had a very good set (the one in London the night after was sub-par by comparison). The NIN set was fantastic – I got to hear a number of songs I had not heard them play in 2007 when I saw them twice in London including Gone, Still – this was a song which rarely got played live but they did so twice on the UK run. My next visit to this arena would take place 7 months later in 2010 to see Rammstein, a band who at this point I had not seen live. They were touring their then new album, Liebe Ist Fur Alle Da, but their set included a number of their better known songs and the stage show was something very special. It has been special every time I’ve seen Rammstein to be fair. It does make me chuckle thinking back on it though that the stage show they had at this show was massive, and yet significantly smaller than the one they bought when they toured their best of album two years later (there will be some chat about that in the next London blog). On top of the stage show though, Rammstein are just an excellent live band – something which I discovered for the first time at this gig. This was the first of 3 times I’ve seen them in an arena and is probably my least favourite of the times seeing them indoors. Not because it was bad in any way, but because the best of shows were just that good.

For the next 3 entries, I go slightly closer to home and talk about a few gigs that took place in Southampton. The first one I thought about for a sad reason recently. When Lemmy passed away at the end of last year, I tried to think back to a great Motorhead live performance I had seen. While I enjoyed the two times I saw them in Portsmouth, for me the best time I saw them was in 2010 at the Southampton Guildhall. The band were on top form, the set list was great and, surprisingly considering the venue, the sound quality was spot on (for every band that played actually – not just the headliner). It was a great night and one that I look back on fondly. The main support that night was Michael Monroe’s solo project and one of the guitarists in that band played his own solo show in Southampton the next month, right before Christmas. I only saw The Wildhearts once before they went on hiatus, but between that gig and Ginger’s solo tour being announced, they had become one of my favourite bands. So, him touring with a group of his friends was probably the closest thing I was going to get to a Wildhearts show for some time. The show opened with Ginger and one of the members of his crew doing an acoustic set, which was pretty cool. After the support band, Ginger came back on stage with the guys making up the solo band and did an electric set which was mostly Wildhearts material with some Silver Ginger 5 thrown in. As much as I loved the one and only Wildhearts gig I had been to at this point, it was this first visit to the Talking Heads in Southampton which made me a fan of Ginger. The final gig for this section about Southampton took place nearly a year later and was again at the Guildhall. Earlier in 2011, I was at the Reading Festival and saw Rise Against on the main stage. They had a really good set and I wanted to see them do a headline show. They had a tour in November 2011 supported by Tom Morello’s The Nightwatchman project. That was quite good although my lasting memory of his set has nothing to do with music. Before his last song, he gave a little speech about rejecting capitalist ideals and the crowd gave a loud roar of approval. The same crowd, after Morello had finished, en masse went to the bars in the venue and paid £4.40 for a 500ml bottle of Carlsberg. That did entertain me somewhat. The rejection of capitalism did not last very long. Rise Against had a really good set as well, which meant all in, it was a good night.

The next 5 I will mention all took place in Manchester over the span of about 8 months. Just writing that makes me realise how much I miss my 16-25 railcard. The first two took place on consecutive nights and were very different gigs. Alter Bridge at the MEN Arena and Dimmu Borgir celebrating their album Enthrone Darkness Triumphant at the Academy 3 – a venue which holds about 450 people. I did wonder how many people did both gigs. I suspect not many. The Alter Bridge gig was memorable but not really for their set. The main support was Black Stone Cherry where they played for about an hour. They had a great set which didn’t surprise me, but to see them on this big stage was pretty cool. Their set seemed like a crowning ceremony – if they succeeded in this main support role, they would be out headlining in arenas not long after. Alter Bridge were decent that night but there were moments when the energy got sucked out of the room and that is my lasting memory of that gig when it comes to Alter Bridge. I’ve found myself going off them recently which I didn’t see happening. As I said just above, the night after was Dimmu Borgir in far more intimate surroundings. That gig was just fantastic. It almost didn’t seem right seeing them play in such a small room but I wasn’t complaining about that as the next time I would see them, they would be headlining (well, had the longest set so in essence headlining) the Friday night at Wacken in 2012, with an orchestra. Two vastly different sets but both fantastic.

In March 2012, I was back in Manchester to see 3 Doors Down. I cannot remember now why I went to Manchester and not London but no matter. They played the Academy there and were supported by Seether and another band (whose name I cannot remember – although I do recall thinking they were decent). I’m not sure if it was a sound problem or what, but I thought Seether’s set wasn’t great. I’d only seen them the once before at Rock AM Ring and it was a bit of a let-down in all honesty. 3 Doors Down on the other hand had a fantastic set and made the journey worthwhile. They played everything I hoped they would and were just great. In an interesting parallel, the next time I would see them was at Download in 2013. Their set was a bit of a let-down I felt. A reverse situation there to my experiences of seeing Seether live.

On my list, I have the next two gigs in separate months, which is accurate, but the truth of the matter is that they were about 5 days apart. The first one was at the MEN arena. I said to myself after how poor I thought the Guns N Roses headline set at Download 2006 was that I wouldn’t bother seeing them again. As this tour was announced, I felt the urge to give them another chance. I said to myself that if I could get a cheap hotel and cheap train ticket, I’d go. Both things happened and I think it cost me £50 for travel and hotel room for this gig. Given their reputation for coming on late, when I got to the hotel, I had a nap so that I would feel fresh for the rest of the night. This was a great plan until I overslept and missed most of Thin Lizzy, the main support. As I walked in, they played Whiskey In The Jar which was pretty cool. There was then a long wait and finally at 22.50, GnR came on. They did a 3 hour set and it was damn near flawless. The set contained everything I wanted to hear including and included a superb performance of November Rain – possibly my favourite GnR song which wasn’t so good back in 2006. I was so glad I gave them another chance. There were a lot of pissed off people who had left before they came on stage, and I remember feeling sorry for them as they missed an excellent performance. I got lucky in that I was able to take the time off work otherwise I wouldn’t have been able to see it and missed out on something quite brilliant. The next one on the list was at another venue in the student union building in Manchester – Club Academy to see Ginger and his solo band. This was around the time 555% was coming out, or out (I can’t quite remember when the album was out) and they were playing Download. Before they did that though, they did a short warm up tour. So basically we got the Download festival set plus a bunch of extra songs. It was a slightly changed up set from their 2011 tour which made me happy. The 555% material that they played that night was great, and formed a part of an excellent 3 song medley of S.I.N, Very Very Slow (x2) and Suckerpunch. Again, well worth the trip.

Most of the gigs that make up the rest of this blog took place in Southampton. Of the next four I have chosen, the first and last ones were at the same venue in Southampton – The Talking Heads. In the middle, there are two trips further afield and it is covering about 8 months. The first two were both in July 2012 and feature bands playing intimate shows. The first gig was Soulfly at the Talking Heads. I won’t go too deep into my history of seeing them but I had seen them a handful of times at gigs and festivals. Gig wise – they went from Portsmouth Pyramids (1000 cap) to The Brook in Southampton (650 cap I think) to the Talking Heads (280 cap). I remember being shocked when they announced they were playing the Talking Heads and as soon as I could, I rushed out to buy a ticket. After I had done this, Sonisphere 2012 got cancelled and KISS played an intimate gig the same night at the Kentish Town Forum. I decided to stick with Soulfly which on reflection was probably a mistake - not because Soulfly were bad because they really weren’t. KISS don’t tend to play small shows though so that was an opportunity missed I feel. Anyway – I recall the supports for Soulfly being good but when Soulfly came on, it was utter carnage in the venue unlike anything I had ever experienced there before. The crowd were very lively which made for an excellent atmosphere. The second of these gigs was my second and last visit to the Concorde 2 in Brighton to see Black Stone Cherry. This is the only gig I have gone to, stayed in a hotel and then commuted to work the next day. I would do it again if I could find a cheap enough hotel but this does seem to be a frequent issue which is why I’ve only done it once. The set was pure brilliance from BSC – and it was pretty clear that unless they were doing a special one off show – this would be the last time they would ever play a venue this small again in the UK.

The final entry for 2012 for this post is of an arena show in Bournemouth. I’ve only ever been to the BIC once for music. Mostly because it is a fair old step away from the train station and the last train at night back to where I live is 23.13. And that gets you home comfortably after midnight. I managed to get a really good price on a hotel almost directly across the road from the venue which made coming to Bournemouth to see Alice Cooper possible. I had seen Alice Cooper headline one of the days of Sonisphere 2010, which I thought was excellent. I wanted to see him do a show indoors and to be honest, if he had replicated the Sonisphere show again, I would have had no issue with that. As it happened, it was a different show in terms of some of the props used (he still got killed on stage but I think at this stage, that probably happens every night). This tour was the Raise The Dead tour, and there was a section of the show dedicated to Alice Cooper paying tributes to friends of his that had passed away. He did this by doing covers of The Doors, The Beatles, Jimi Hendrix and The Who. This was great. Usually I’m not overly sold on an artist/band doing too many cover songs in a set, but this really worked well. I saw Alice Cooper do this show again in 2013 when he headlined Wacken, which was somehow better than it was this night in Bournemouth (so much so, it has been released on DVD). Heading into 2013, and now most of the remaining entries on this list take place in Southampton, the first one was in March at the Talking Heads. I had seen Kvelertak play a basement club in London which was absolute carnage. This gig wasn’t as crazy as that one, granted, but it was still pretty hectic. I was stood near the front of the venue but off to the side and it was quite something. During the final song, the singer was finishing his vocals whilst swinging off one of the venue lights above the crowd. It was quite a memorable gig.

This next bit will cover four gigs that took place over two legs of a tour. In December 2012, Ginger announced that his birthday bash gig would be a return of The Wildhearts. There will be more chat about this gig in the next part of the London blog. After this gig I remember thinking to myself that if they only ever did one gig a year at Christmas, I’d be fine with that and I’d try to go every year. Then, from out of nowhere, they announced a 4 date UK tour where they would be celebrating the 20th anniversary of Earth Vs by playing it in full. None of the dates were near me but this was something I couldn’t miss. I went into planning mode to try and work out what gigs I could make and ended up booking a ticket for the Glasgow and Manchester dates (had a hotel been marginally cheaper, I’d have gone to Nottingham as well). I flew from Southampton to Glasgow and spent about 5 hours walking around Glasgow centre somewhat aimlessly as I was cheap and didn’t book early check in for my hotel. I had already bought a ticket to see Eureka Machines in London, but seeing them support on this tour was my first introduction to them and it was over this time that I completely fell in love with them. They are one of my favourite bands now. As for The Wildhearts, they were outstanding. It was fantastic getting to hear Earth Vs in full. They did a long second set after the album had been played and left the choice of songs up to fan voting for the night. In Glasgow, the songs chosen were mostly fan favourites (although getting to hear Beautiful Thing You again was a nice surprise). The next night was in Manchester and that meant getting a train from Glasgow to Manchester. That journey takes about 3 hours but I lost I think 3 years off my life by sharing the carriage with a massive hen party. I should point out, it was painful for me as I had been reuniting myself with Tennents and Belhaven the night before so I was feeling a bit worse for wear anyway. I have never been able to say which gig I preferred more, Glasgow or Manchester. The second half setlist at Manchester was certainly more varied. Getting to hear Schizophonic, Dangerlust and Turning American live was ace. I also loved the fact we got The Duck Song (although over Hate The World Day? Bad form Manchester). The only really close call was for the last song, when 29x The Pain beat I Wanna Go Where The People Go. Really, both of those gigs were great.

So then that tour finished, and they announced a second leg that consisted of 6 dates. Once again I went into planning mode. I could have done 3 dates but I forgot when doing planning that I have family in the midlands I could have stayed with, so didn’t plan to do the Leicester date. Schoolboy error. Anyway, I booked up to go to Bournemouth and London, knowing full well that due to transport issues, I would have to leave both gigs early. I was quite sad to see that the Bournemouth gig was fairly poorly sold I thought. There was a lot of space in the standing area to move around. That wasn’t going to detract from my enjoyment though. I managed to stay for most of the second set which was good. It opened with Nita Nitro which I loved. The next night in London was cool as they had drawn a pretty big crowd to the Forum for the second time in 6 months. This gig was being filmed for a future DVD release (one I think which is finally coming out this year) and it was something else. In terms of performance, it was probably the best of the shows I’d been to on this tour. The second set Sick of Drugs, Two-Way Idiot Mirror, Just In Lust and Urge (the first time I’d heard anything from Endless Nameless live). Again leaving early meant missing the very end of the show (damn you TFL!) but I got to see most of what was an excellent show. I’d never been to 4 dates on one bands tour before, and I’m not sure if I’ll ever do it again, but it was great fun!

In between the two legs of this tour, I went to a couple of gigs in Southampton. The first of these was technically part of a festival. The organisers of Wacken arranged a festival that travelled around Europe on a cruise ship called Full Metal Cruise (inventive name for sure). I think 2013 was the first year it ran and along with bands playing on board the cruise, they also booked bands to play shows at the various ports they would stop in. Quite why this gig went on general sale as a result of this, I do not know. However, it did mean I got to see Saxon play “Denim & Leather” in full. Well, at least that was the plan. I’m not sure what happened but the band played a song from this album before they started playing the album in full (setlist fm does not have the setlist on their website so I cannot say for sure which song they played). When it came time to play Denim & Leather in full, instead of playing that song again, they just played a song in that space that wasn’t from that album. That was quite strange but it didn’t ruin the gig for me and actually, I thought they were excellent that day (I say day as the gig was done by 9.30pm so that the bulk of the crowd could get back on the boat). One final note, because the organisers of the cruise were German, the stage announcer was German and spoke in German. I had no idea what was being said when he was talking in between bands. I remember thinking it was odd but quite amusing at the same time. The next month, I won tickets to go see Frank Turner play a solo acoustic show at the Joiners. It was to celebrate the Joiners being voted best small venue in the south or something by NME readers. I’d seen Frank Turner twice at Reading Festival 2011 before this but really wanted to see him again (missing the Wembley Arena show is a gig regret of mine). I had to leave this gig early which annoyed me but what I saw was just ace. He played the whole of Sleep Is For The Week album, which I had to leave during. I definitely would go and see Frank Turner at a solo show again if I could get there.

Nine Inch Nails waved goodbye in 2009, and I assumed that was probably it. We might get a new album when Trent got bored of winning Oscars (note – as of this writing he has won one) but I didn’t think we would see NIN on the road again – especially after the last show on the Wave Goodbye tour in the US which just had a ridiculous set list (see it here). Then, without warning, Trent announced there would be a new album and they would be on tour. I waited patiently for UK dates and when they were announced as a sub-headliner at the Reading & Leeds festivals, I was a bit bummed. It was still enough to sell me a day ticket but I had hoped for headline shows. They then announced they were headlining Belsonic Festival in Belfast, which was the closest thing to a headline show I was going to get. So I popped across the water to go see them. The venue, Customs House Square, was pretty cool as far as live music venues go. The night before this set, they played a pretty small London show and basically played a best of setlist with little mention of their new album. I had hoped for something similar at Belsonic, as it was their first ever Belfast date. However, we didn’t get the London set which was a shame, but the one they played was pretty damn good. My main complaint of this gig is that people talked all the way through their set. I mean, all the way through it. It was as if at times I had bought a ticket to a conversation rather than to see a band. I enjoyed this gig though and it was definitely worth being stranded outside a Tesco for several hours waiting for the airport to open.

The final two (three if you are being picky) gigs I want to talk about for this blog took place a year apart from each other. The first was my second to last visit to the venue I know as the Talking Heads in Southampton (I’m not saying I won’t go and visit the new one – it just won’t be the same). For reasons I don’t fully understand, Skindred went on an intimate venue tour of the UK. The gigs weren’t all announced at once and some would just pop up and be on sale. That is what happened with the Skindred gig at the Talking Heads. Soulfly and Kvelertak were my benchmarks for how crazy gigs at the Talking Heads could get and I remember thinking this would be something else entirely. It was crazy, but not in the same way as those gigs I just mentioned. If anything, it was like an exclusive party with a fairly big band on stage. The band, who probably could have been excused if they phoned it in, were excellent that night. It is probably my favourite time seeing Skindred actually (between this and one of the Wedgewood Rooms gigs). A year later, I was back in Southampton for two nights in a row to see Frank Turner with his full band, touring their new album “Positive Songs For Negative People”. I already knew that Frank Turner and The Sleeping Souls were a great live band (their Portsmouth show in 2014 was my favourite gig of the year). Frank Turner was on stage for about 2 hours for these gigs, which was pretty cool. There were two sets with the full band and an acoustic set in the middle. I think if you were to hold a gun to my head and force me to choose one of the two gigs as a favourite, I would say the first night but that would be a tough decision. These gigs would have been my favourite of last year as well had I not seen System of a Down at Wembley Arena. Frank and his band are one of my favourite live acts of all time and I hope to see them again sometime soon.


That’s it for the here, there and everywhere section of this series of blogs. I warned you at the top of this post that these blogs can be quite long. I didn’t anticipate this one being nearly 5500 words long mind (over half the length of my dissertation) but there we are. The next blog will probably be the next Portsmouth based one. After that there will only be one other one to write, which will be the second part of the London gigs blog. After that I will close it out with a photobook blog, which will just be a selection of photos I’ve taken at gigs over the years. I’m looking forward to that one it has to be said. Until next time!

Part One - The Wedgewood Rooms
Part Two - Outdoor/Stadium Shows
Part Three - Festival Sets
Part Four - London (Part One)